Vanity
Axel Braun and Seth Gamble present “Vanity,” a Wicked showcase that highlights glamor and style.
Blake Blossom and Seth Gamble (“Drawn to You”):
Blake Blossom opens this scene with a standard tease that finds her showing off her beautiful body in a tight, glittering dress, with a sparkling curtain draping the stage and spotlight lens flare adding to the Hollywood tone. It’s a nice tease, and Blake adequately excites the audience by fondling her massive tits and flashing her brilliant smile. Then, Seth enters the fray and puts Blake through the sexual paces like an animal. Blake’s blowjob skills are great, Seth pounds her back out in doggie, and she puts on a reverse cowgirl clinic to finish him off. The title fits because Seth comes at her like a moth drawn to a flame; he can’t resist her. It’s a nice scene concept.
Charlotte Sins and Seth Gamble (“Prove Yourself True”):
This scene opens with a similar tease, but it has a completely different tone. While Blake was open and playful with the camera, Charlotte Sins feels completely immersed in herself as she dons her lingerie and makeup. It’s a dual tease because Seth is revealed to be in the room watching Charlotte get ready, but Charlotte also looks at the camera and talks directly to the audience while simultaneously talking to Seth. It’s a great concept that is perfectly executed; plus, Charlotte is stunning. She starts with some toy play while never taking her eyes off Seth/us, and good lord, it’s so hot! I also love the fact that we go straight from Charlotte pumping her pussy with a toy to Charlotte sitting on Seth’s face. What a scalding sequence! Seth is just rough enough with Charlotte to get the libido stirring, and she looks so sexy getting railed all over the bed by Seth. There’s a strong POV element to this scene that culminates with a pretty intense cream pie that Seth ends up feeding to Charlotte in filthy fashion.
Maddy May and Seth Gamble (“I’ll Misbehave”):
First things first, I adore Maddy May. She’s pretty, her eyes betray her as a sexual deviant, and she’s surrounded by a hedonistic aura. The theme of this scene fits her perfectly, and the scene is executed perfectly. She’s tied to a bed with a wild grin on her face as Seth strokes her body gently with his fingers, culminating in some clitoral fondling. She follows that up with a choking blowjob that takes her breath away; then, Seth fucks her silly. She rides Seth like the bronco he is, and he fucks her into a whimpering mess for about 20 minutes.
Ryan Reid and Seth Gamble (“Sheer Pleasure”):
If you’ve followed my review work at all, you know I’m a huge believer that music can exponentially enhance porn. And Wicked has found some banger tracks to go along with their sex scenes recently. This scene is no exception, and I honestly found myself rewinding the opening multiple times just to watch Ryan Reid’s tease go along with the song. I thought the concept of fucking Ryan in a foyer draped with sheer curtains in a scene entitled “Sheer Pleasure” was a brilliant creative choice — and another credit to Seth Gamble and his ever-expanding vision as a director. Ryan spends a great deal of this scene getting her throat absolutely blasted by Seth’s cock, and when she mounts him, he hammers her pussy like a jackhammer. This is a nasty scene (in a good way), and Ryan’s fans are going to love it.
This is a good all-sex movie. It holds on to the theme enough to elevate this beyond the simple fuckfest you see so often in vignettes, and the set pieces are nice. Each scene is better than the last, and the film culminates with a memorable romp that should gain Ryan a ton of new fans.
In Vanity, Acclaimed actor / director Seth Gamble returns to the world of sophisticated visual erotica he's depicted in such stylish cinema core releases as Money and The Red Room. Produced by Axel Braun and featuring AVN Best New Starlet Blake Blossom and an A list cast. Vanity holds a darkly sensual mirror up to the situations women can face when excessive desires to be loved, admired or idolized by others manifest in relationships.
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