Poetics for Tramps

I really like Kayden Kross as a storyteller. She always does a good job mixing visual and audio elements together to create compelling narratives. This compilation of scenes could be considered short films, and each could stand on its own. Kayden has blossomed into one of the best writers and directors in porn, and even when she’s only giving audiences a micro story, the results are often mesmerizing.

Maitland Ward and Oliver Flynn (“At Last”):

Maitland Ward is rich and privileged, and spends her time seeking male companionship on the streets. This particular night, she chooses Oliver Flynn from a group of male prostitutes and brings him back to her secluded estate. Over time, Ward lets Oliver into her psyche, revealing an intense hidden trauma that she’s yet to reckon with. Eventually, she cracks and begs Oliver to punish her (which he does reluctantly). Maitland is a master performer. She pours emotion into her sex, which, coupled with her incredible body, makes for some of the most powerful sex I’ve ever seen. There is a pain that accompanies her sex with Oliver that is palpable and works not only to entice the audience, but also, makes them hurt for her as well. As the sex progresses, Maitland sinks deeper into her penance and desire to atone through attrition. It’s powerful and beautiful and arousing as hell.

Gabbie Carter, Michael Stefano, and Oliver Flynn (“Women’s Work”):

Gabbie Carter is the definition of a kept woman. She cooks, cleans, maintains the home, and does whatever is required to keep her husband Oliver Flynn happy. He’s not cruel to her, but neither does he acknowledge all she does or how unfulfilled she is in their relationship. When Oliver’s boss drops by to discuss important work matters, Gabbie is dutiful and quiet. That is, until she gets an eye on the documents Oliver’s boss brought along with him. His intent is to force Oliver’s resignation — a blow to her husband that Gabbie cannot allow. When Oliver runs out to get more liquor, Gabbie takes advantage of the time to show Oliver’s boss the error of his ways. Gabbie has amazing breasts, and Stefano takes the opportunity to fuck them deliciously; it’s a real treat. Oliver walks in on the sordid affair; a raucous three-way ensues, with Gabbie getting worked over hard by both men. Yet despite their hunger and ravishing of her body, Gabbie remains firmly in control of the action’s pace and intensity.

Mona Wales, Marcia Hase, Lulu Chu, Scarlit Scandal, Destiny Cruz, and Oliver Flynn (“Chaired”):

I picked up on a lot of biblical undertones in this scene. The opening feels like a Last Supper/Garden of Eden style feast. Everyone is immaculately dressed, fresh fruits are sprawled across a massive table, the women lounge in each other’s arms and are caressing one another. Lulu Chu plucks at a violin as Oliver croons a folk song over his poetic narration. Mona Wales presides over everything like a loving mother, while Oliver remains a longing outcast. When Mona finally allows him to join, she opens the sexual floodgates, and the ladies descend on him like a pack of horny animals. Even as they each experience the ecstasy of Oliver’s cock throbbing inside them, it is Mona who dictates everything.

Angela White, Jessie Saint, Kenzie Anne, Lacey London, Maitland Ward, Morgan Lee, September Reign, Manuel Ferrara, Mazee, Mick Blue, and Oliver Flynn (“Sex Without Love”):

This scene is a straight-up celebration of sex. Jessie Saint marvels at the group’s ability to fuck without getting emotionally attached, and after witnessing a particularly indulgent dinner, Jessie succumbs to her curiosity and joins in on the fun. From that point on, this scene is nothing but full-on, unabashed, group sex. It’s been such a long time since we’ve seen orgies of this magnitude, but holy smokes, was it worth it!