Fuck Me Now 2
Discipline is the greatest aphrodisiac. It soothes the agony of need unsatisfied. It quells the desperation of denial. But discipline can only hold back the torrent of lust for so long. And when the walls of discipline break, the deluge of debauchery is fierce — and utterly satisfying. "Fuck Me Now 2" features four scenes from director W.C. Walker exploring an unfiltered view of what it looks like when someone can't hold back their desire any longer.
Nicole Aria, Vince Carter ("You Remind Me of Someone"):
Vince Carter is stunned when the woman at the table in his section catches his eye. He can't be sure, but she looks like someone from his past. Someone with whom he had an intense sexual relationship. Unable to shake the feeling, Carter approaches the woman and learns that she's also trying to overcome a recent heartbreak. She looks at him longingly and gives him the permission he needs: "We're alone here. I can be her if you need me to be. Sometimes, this helps." And just like that, Carter is reliving his sexually glorious past while simultaneously venting his frustration. He's not just fucking someone who looks like his ex, he's punishing his ex for leaving him. Carter smacks Aria around and fucks her aggressively, his guttural exclamations and furious pounding an outlet for his pain. Nicole meets his aggression step for step, letting him use her at will and expelling her own misery in the process. It's an emotionally charged scene that will leave viewers spent.
Gal Ritchie, Chris Diamond ("Make It Right"):
A bumbling delivery driver gets more than she bargained for after a delivery goes spectacularly wrong one afternoon. Chris Diamond is unimpressed with the state of his food when Gal Ritchie brings it in, and chastises her for the messy state of his lunch. Sensing Gal's need to blow off some steam, Chris decides to introduce her to his particular brand of discipline training. He fucks the silly right out of her all over his living room, setting her pussy on fire with his fingers and cock. Gal has a really nice ass, and viewers will get to see plenty of it here.
Alexis Tae, Dante Colle ("Squealer"):
Alexis Tae loves the adrenaline rush she gets from the heist. Robbing unsuspecting folks of their designer goods is something she's always been good at, but when Dante walks in on her in the act, she discovers something else she's really good at. Alexis is obviously great at performing. She knows how to entice her partner and the camera with her body, she doesn't shy away from pleasure, and she looks amazing doing it. Here, she toes the line between letting Dante use her and controlling Dante with her body. Case in point: the way she dominates the action in reverse cowgirl and the way she coaxes his seed inside her. But one other thing Alexis has going for her that not enough people talk about is her acting ability. She can carry a story with the best of them, and this scene is a perfect example of her underrated thespian abilities. She's a bona fide star.
Queenie Sateen, Anton Harden ("17 Days"):
A touch-starved woman undergoes a trial by deprivation for a chance at the man she's been craving. And when Anton Harden finally gives her the key to unlock her chastity belt (after 17 days), she nearly bursts with anticipation. Queenie Sateen submits completely to Anton's touch, his commands, and his furious pounding of her pussy. She gushes all over him multiple times, and he never lets her rest. It's an intense scene, and one that will excite viewers with its focus on the deprivation kink.
Walker does a great job directing these four scenes, and the cast all do a great job bringing the scenes to life. Nicole and Vince steal the show, and everything beyond their scene is just icing on the cake.
Fuck Me Now is the impulse everyone follows in these four new stories from DEEPER.com. Nicole Aria gives her waiter much more than deja vu in You Remind Me of Someone. Gal Ritchie is a delivery driver with a boundless urge to please a customer in Make It Right. Alexis Tae is a petty thief who is aroused by the danger of being caught in the act in Squealer. And in 17 Days, Queenie Sateen lives under lock and key as she waits first patiently and then desperately for release. All come around to a single imperative: Fuck Me Now. Directed by W.C. Walker.
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