Up To and Including Her Limits

Director Kayden Kross takes viewers on a journey exploring the world of limitless boundaries. A stellar cast and fantastic writing make this a feature well worth watching.

“The Devil Wears ___” (Ashley Lane, Naomi Swann and Jax Slayher)

Naomi Swann is a model with an opportunity to shoot for photographer Ashley Lane. When the shoot moves to nudity, Swann is shocked to learn she won’t be the nude model — it’s Jax Slayher. When she hesitates to interact with him, a frustrated Lane stops the shoot and demands Swann admit she can’t handle the pressure. Instead, a fearless Swann devours Slayher’s dick, daring Lane to do something about it. This is a pretty intense scene, with both ladies trying their best to outdo each other sexually. Every move is a challenge to the other, every moment of Slayher pounding their pussies a calculated action designed to prove the other can’t handle the game.

“Don’t Look” (Jill Kassidy and Mick Blue):

Jill Kassidy is playing a game with a mysterious opponent. She gets messages on her phone telling her how to dress, where to go, and most importantly, not to look. When Kassidy arrives at the specified location, her adversary blindfolds her and takes her to his play place to start the game in earnest. Kassidy finds herself blindfolded, bound, and at the complete mercy of someone she’s never seen. Mick Blue teases her with feathers, his fingers, a spiked wheel — all manner of tools designed to make her experience different sensations. With Kassidy fully immersed in the game, Blue has his way with her. Initially, he rails her to hell, but as their sex progresses, Kassidy becomes the aggressor. Soon, she takes the lead, dictating the pace and intensity behind each thrust and rubbing her own clit furiously but never removing her blindfold. Because the game only ends if she sees her suitor, at the conclusion of the torrid encounter, Kassidy is available to play next time.

“Quarantine” (Jessie Saint, Lilly Bell and Manuel Ferrara):

The pandemic has pushed Jessie Saint to the brink of ruin. With her job lost and her bills mounting, Saint takes one last chance and applies for a unique position with Manuel Ferrara. She is selected and undergoes a battery of tests to ensure she is not infected. When her quarantine period finally ends, Saint is rewarded with Ferrara. Kross does a good job of capturing the seemingly endless emptiness of true quarantine. She spends a lot of time forcing the audience to watch Saint lay around in a bed surrounded by plastic. This builds a crushing weight of anticipation and nothingness for the audience, which is then paid off in spades with the sex. When Ferrara finally grants Saint access to him, he brings his pet Lilly Bell along, but Saint is, without question, the main course.

“Pain” (Addie Andrews, Ryan McLane and Mick Blue):

After an unexpected hiking injury lands her in the home care of a European doctor, Addie Andrews and her boyfriend Ryan McLane find themselves “stuck” until Andrews’ ankle is healed enough for her to walk on. As she recovers, Andrews becomes more and more enraptured by Blue’s eccentric nature, and McLane feels her slipping through his grasp. Eventually, Andrews succumbs to her lustful curiosity and barricades herself in Blue’s chambers, ready to let him teach her the pleasures of pain. This scene is full of spanking, choking and biting. Blue mixes moments of obvious pleasure with instances of unexpected pain, which drives Andrews over the edge of ecstasy. Holy smokes, do not miss these two fucking against the harp! It’s the highlight of the scene.

Kross wisely allows the movie to expand beyond physical limits and incorporate mental and emotion limits as well. By doing this, she creates a project that truly explores what happens when a person is pushed beyond their limits of pleasure. The quarantine story is easily the most intriguing, while Andrews and Blue shine the brightest from a sexual standpoint.