Transfixed Vol. Four

Bree Mills offers another episode in her acclaimed trans lesbian erotica series featuring some of the industry’s biggest stars showcased in a variety of scenarios influenced by pop culture and fantasy.

Mills has been making major headlines as a creator in the adult industry for a number of years now (having won XBIZ Director of the Year the past two years) and her “Transfixed” series stands as a testament to the popularity of her craft and vision.

The cool thing about this movie is the fact that the trans performers aren’t particularly fetishized. They are simply women enjoying the sexuality of other women in ways that bring them intimate excitement. And while both Maya Kendrick and Riley Reyes are on the box cover, both of their roles are non-sex ones. Overall, this is a three-scene movie that functions more as a collection of encounters from a series than a standalone movie.

Lena Kelly and April O’Neil:

The scene opens with Lena waking up outside under a tree and she begins to notice lots of peculiar things around her. There are stuffed bunnies that keep appearing and disappearing, large playing cards strewn about the field as if suggesting a path to follow, and various cups and saucers indicating an appointment for tea. This is very clearly a play on “Alice in Wonderland,” which is a great setting for sexual debauchery.

Alice (Kelly) eventually finds her way to the Mad Hatter’s (O’Neil) table and the two lovely ladies immediately give in to the palpable sexual attraction they hold for each other. The entire scene setup has a spellbinding vibe to it as one could argue the Hatter lured Alice to her tea table through some kind of magic considering Alice’s surprised demeanor compared to the Hatter’s overzealous glee upon her arrival. I thought that was a very cool touch whether Mills intended it or not.

There’s a lot of foreplay here with O’Neil spending a nice amount of time rimming Kelly’s ass and sucking her cock from behind. At one point she does this very sexy pulse thing where she almost throbs Kelly’s cock in and out of her mouth without taking her lips off her shaft. Kelly returns the rimming favor in sloppy fashion and the ladies even share some kinky food play before Lena mounts April from behind and gives her a nice, rhythmic fuck. The viewer also gets an eyeful of April’s ample bosom when Lena sits her up on the table and buries her face in her pussy. Narratively the scene wraps up quite nicely and serves as a fittingly bawdy start to the movie.

Lena Kelly and Sinn Sage:

This scene has a very cool theme, recreating an iconic 2008 photo shoot between Cindy Crawford and K.D. Lang from Vanity Fair. Kelly takes on Cindy’s top role while Sage plays the bottom made famous by Lang. The music is fun and rousing and it sets an expectation for a wild ride. The ladies get to the sex pretty quickly with Lena choking herself nicely on Sage’s strap-on and Sage returning the favor with a hungry blowjob that just about sends Kelly through the roof.

We get a really hot moment of Sage tonguing Kelly’s asshole while Kelly pounds her meat furiously that is a carnal joy to watch and Mills deserves credit for capturing such a stirring visual. Credit is also due to the ladies, (particularly Sinn for taking a pretty good face-fuck during the 69) for really getting into each other. There’s a genuine lust between them that amps up the excitement. Sage fucks Kelly deep with her strap-on in multiple positions and it is clear that Kelly cannot get enough of it.

Watching Sage’s hips gyrate as she slides her shaft into Kelly’s ass is really something, but not to be outdone, Kelly folds Sage up like origami and slams her pussy deep and hard in return (especially when she flipped her face down ass up and just about annihilated her). It’s a nasty, lusty sexual encounter that is a darn good time.

Natassia Dreams and Ana Foxxx:

This scene is a standard photo shoot with Natassia being the clear veteran while Maya Kendrick, Riley Reyes and Ana Foxxx are the clear novices, Ana being especially timid. Ultimately, the photographer opts not to keep Maya or Riley on for further work, which leaves Natassia with Ana all to herself. She wastes no time in making her lustful intentions known, and Ana is more than happy to oblige her.

And whereas the previous two scenes got to the sex fairly quickly, Natassia and Ana are much more patient and spend a good amount of time fondling each other with their lingerie fully intact. This is cool as it builds anticipation, but it was also nice to see two women simply taking their time exploring each other. One really awesome thing about this scene is the deep, sultry nature of Natassia’s voice and the way it contrasts with Ana’s voice. I don’t see very many female performers with deeper voices, which is a shame because that dynamic creates a completely different kind of sexy that is sorely underrated.

There’s a ton of oral in this scene, which is nice, and both ladies spend a fair amount of time masturbating while they watch each other, which should appeal to the voyeuristic crowd. There’s not a lot of penetrative sex in this scene, but what is there is pretty intense as Natassia really gives Ana the business from behind for a few minutes.

Bree Mills has certainly found her audience with this series and it is always nice to see trans performers given an opportunity to shine. The movie offers a nice variety of scene setting and the production value is good. The standout scene of the movie is easily the barbershop scene and Bree Mills deserves credit for bringing such a strong piece of pop culture into this vision.