The Mistress 5

Sara (Lilly Bell) is a college student caught in a conundrum. On the one hand, she’s in the middle of a very promising project for her favorite class, and her excitement is at an all-time high. On the other hand, she is striking out left and right in the field of love and becoming more disillusioned about her chances at finding love day by day. However, her luck starts to change as her love life and her class project begin to collide. Now, Sara finds herself facing a moral dilemma: Does she stay true to her ethics and look for love outside of her brilliant professor’s stimulating aura, or should she submit to the will of fate and chase her dreams?

“The Mistress 5” is a reboot for this franchise, and the story picks up with all new characters and a completely new scenario. Still, everything fans have come to expect from veteran director Jacky St. James is here: an engaging story, interesting characters, high-quality visuals, and fabulous sex. I’ve long said that features are what Jacky does best, and this film is yet another example of her vision and skill. Lilly’s position is relatable, and her acting performance makes her a sympathetic character. Derrick Pierce is perfect as her professor who wants to see her succeed on an educational level, but also wants to ensure she doesn’t fall prey to harmful manipulation. It’s a wonderful dynamic. The supporting cast is also good, with Aila Donovan and Kira Noir delivering strong performances of their own that are integral to the story.

The sex starts strong with Derrick and his wife Aila sharing some quality time after a long day of work. Aila sucks the chrome off Derrick’s cock before settling down to ride his shaft enthusiastically. She really does enjoy herself, and she’s very easy to watch. She just looks and sounds wonderful, and her sex comes across as genuine rather than performative. As the scene progresses, Derrick gets more intense, and Aila opens herself to his vigorous thrusts willingly. It’s a great scene that establishes a nice relationship between the two.

Kira and Robby Echo share an unexpected coupling in his meditation studio after a phone call that sets quite the narrative tone. I’ve been a fan of Kira for about five years now (ever since I saw her in a big-budget feature back in 2017) and she just gets better with age. There’s plenty of alternating between Kira riding Robby’s cock (my goodness, the cowgirl!!!) and her sucking him dry, making it a real challenge for audiences to make it past this scene without climaxing in their own beds.

Mike Mancini and Apryl Rein have a flashback scene that packs a narrative punch to go along with its scrumptious sex. Apryl is hot, y’all. I mean, damn, this woman is hot! Mancini has his way with her nicely, setting her low-key ample tits rocking as he pumps her in missionary and spoon.

The film’s carnal climax comes in the form of Derrick and Lilly falling into one another’s arms passionately. This is top- tier porn, ladies and gentlemen. Lilly is impressive, Derrick is (always) fantastic, and they put on a sexual clinic. There’s no rush, they clearly enjoy each other, and they look stunning. Honestly, watching Derrick suck on Lilly’s pussy could have been the whole scene because it was so mesmerizing.

This is the third time Lilly has impressed me in a St. James film, and at this point. I think it’s safe to say she’s a bona fide feature star. She’s been on the rise for a few years now, and I think this by far her best performance. Derrick is great as always, while Kira slays in her supporting performance.