We Can’t Be Seen Like This
The title story in this two-tale (and two-tail!) release concerns slutty Jane Wilde putting the moves on her boyfriend’s dad, played by Charles Dera, while the second story, “The Urge,” involves delicious MILF Nikky Thorne portraying a respected psychologist who finds herself the unwilling host of a monstrous mental virus, leading to kinky (hooray!) sexual fantasies. This release offers tales of seduction and horror, respectively, from the purveyors of fine filth over at Pure Taboo.
While her boyfriend is taking care of a chore in another room of his parents’ home, Jane Wilde smoothly seduces his father, Dera, in the shorter of our brace of stories. You can tell Jane has the hots for Papa Dera from the start, and when Jane asks Dera if she can watch him repair the thermostat in her boyfriend’s bedroom, she winds up complimenting the dude up and down — and center (as in the crotch area!), telling the pushover that she wants a “real man.” Dera almost desperately tries to talk her out of this dangerous crush, but to no avail. “You’re a married man,” she brashly tells him, “and when’s the next time you’re gonna get some hot teen pussy?” Dera folds — and fast! I don’t blame him.
“Just keep it down,” Dera tells Wilde, as she loudly gags on his penis, while he’s ever so romantically face-fucking her, which foreshadows some truly potent pussy pounding. Missionary has Wilde in the jackhammer position, with Dera going deep. Way deep. And Wilde goes, well, wild during both doggie and spoon. It’s during cowgirl, however, that she really works Dera-dick, giving Dera a loud, saliva-dripping blowjob afterwards. Dera eventually erupts all over Wilde’s bush during a repeat of missionary. And while Dera’s character receives a happy sexual ending, the story itself hardly concludes on an upbeat note.
Next, tasty Thorne plays a respected psychologist (as well as the story’s narrator), writing this dark tale — or confession, if you will — in her diary, through which we quickly learn our resident doctor has recently taken on a strange female patient who claims to be obsessed with a freaky fantasy concerning a naked male making her deepthroat a huge, thick white dildo in a darkened room, getting Thorne thoroughly excited as she writes up this patient’s session in her doctor’s log; such erotic weirdness leads, however, to Thorn herself having “unsettling” dreams, becoming “off-balance”; and realizing that the female patient has “corrupted” her with this dark fantasy, to the point where Thorne feels she’s been invaded by a deadly virus of sorts. Thorne soon relates her own twisted (inherited, if you will) dream to us, wherein we see the same naked dude, played by Raul Costa, making Nikky gag on the same thick dildo. It’s great when Nikky finally replaces the love toy with a real cock in her mouth, though the telltale dildo fully remains in the scene, like a third character.
There’s only a cushioned armchair in Nikky’s “nightmare” room, upon which Costa savagely invades her holes. Costa jams the dildo into Thorne’s anus as he doggie-bangs her pussy, while she’s still maniacally gagging on another dildo the size of a human arm. Costa finally sticks his prick up her asshole during reverse-cowgirl, as Nikky continues to insanely cram the smaller dildo up her pussy. After various other steamy vaginal positions with Thorne, Costa buttfucks her during jackhammer missionary. A horny return to doggie-vadge (with Thorne’s ass crazily jiggling during this almost grudge-like slamming) drives Nikky over the edge, before Costa blasts sperm all over her firm butt cheeks, sopping pussy, and dilated anus. So, does our famed psychologist find a solution to her mental torment? Tune in and find out.
“We Can’t Be Seen Like This” is a provocative porn-manteau, featuring both relative newbie (Wilde) and distinctive MILF (Thorne), each presenting a nice contrast against the another, as well as appearing in completely different stories. And both ladies equally excel in the suck/fuck department. Highly recommended!
Amelia (Jane Wilde) is hanging out with her boyfriend, Elliot, in his bedroom. As Elliot tries to get frisky with her, they're interrupted by Elliot's dad, Gary (Charles Dera). As Gary tells Elliot that he needs to do chores, Amelia seems unable to take her eyes off him. Gary apologizes to Amelia for the intrusion, although Amelia insists she can keep herself busy while Elliot's gone... A short while later, Gary checks in on Amelia. Although he's being nothing but friendly, Amelia continuously interprets everything he says and does as being him coming onto her. As Amelia comes onto him as well, Gary tries to resist but she toys with him, insisting that she knows he must have feelings for her, too. Why should he deny himself his most primal desires? Dr. Ross, a psychologist, begins to recount the strange events of the day. She was visited earlier by an exhausted and fearful-looking woman named Molly (Nelly Kent). In the safety of the office, Molly told Dr. Ross why she had sought her out. Molly described a dark, disturbing fantasy In this fantasy, Molly found herself in a room. In that room was a man (Raul Costa). When he approached Molly, a hunger came over her, an insatiable urge that consumed her. An urge to be...FILLED...in every sense of the word. Dr. Ross has to admit that it has piqued her curiosity in a way that she has not felt for a very long time, but she has no idea what she's gotten herself into...because soon, the urge will consume HER too...
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