Anal Casting, Vol. 5

Once her fan-girlish interviews with the foxy young ladies are finished, director Mason lets these four anal-minded babes happily get their backsides (and hungry mouths!) stuffed to the hilt with throbbing cock.

DVD cover girl Hazel Moore is both pretty and nasty (yes, she’s the best of both worlds), flaunting fairly large, all-natural boobies (that I fully understand Mick Blue spending plenty of time sucking and fucking at the start of this scene); while her seemingly bottomless anus just can’t get pounded deep enough. And, after some hellacious face-fucking à la Moore, Blue shifts to warp speed nine, jamming his boner right up her butthole during reverse-cowgirl, allowing us to soak up Haze’s sweet little bod, including those beautifully bouncing boobies.

Moore has an overall natural look that reminds me of starlets from the 1970s, even sporting some prominent bush above her pussy. But make no mistake, she’s a full-fledged 21st Century slut, loving her sampling of ATMs during gnarly rebounds of face-fucking. There’s more boob-undulating during missionary-anal. But Moore particularly loses it during frantic doggie-anal, adoring Blue powerful open-handed smacks across her delicious derriere. And, gotta admit, Mick really globs Moore’s photogenic face with guy goo. Man!

In one of the movie’s best scenes, blonde hussy Madison Summers soars thanks to the take-no-prisoners approach by madman Ramon Nomar, who doesn’t grab-ass but lets us fully appreciate Madison’s fine fanny, the anus of which gets doggie-damaged right off the bat (“Use my fuckin’ hole!” she pants), with ramrod Ramon really ravaging that rectum, followed by ATMs, reverse-cowgirl-anal, cowgirl-anal (a movie highlight with that prominent pear-shaped Madison butt in our faces), and missionary-anal, followed by Nomar squirting his semen into her mouth. But wait! That’s not all. No-stoppin’-him Nomar starts doggie-fucking her ass yet again. The man’s a machine!

Mick returns (as always), this time to bang one of the movie’s big-butted gems, Lily Lou, going straight for some doggie-anal, with Blue pulling her hair, allowing her ass cheeks to maniacally wobble (awesome!), followed by an ATM deepthroating (brilliant!), reverse-cowgirl-anal (shot from Mick’s perspective, allowing for more butt-cheek-wobbling), and cowgirl-anal (before which, little romantic Lily likes being choked and having her tits slapped, and during which she digs getting her posterior heartily smacked), with Lily really X-celling when she’s allowed to do the fucking herself during cowgirl, totally shaking that major money maker. And what a dirty cocksucker she is, going balls deep — and loudly, too! Then, it’s missionary and spoon-anal, where we get to dig those hefty all-natch Lily hooters, before Mick clogs up her nose with his cum, though it’s soon cleared up, as our grunge gal eats every drop of McDick’s dumping. And — look out! — lascivious Lily loves getting doggie-anal-yzed yet again, while simultaneously getting her hair yanked. Damn!

Lastly, cute brunette Summer Col gets the “Anal Casting” treatment from ever-reliable Zac Wild, with highlights including Wild worshipping Col’s culo; Wild’s doggie banging of Summer’s sweet, well-greased anus as she elatedly gets her own hair savagely pulled; Col getting righteously face-fucked; her ass cheeks undulating like mad during cowgirl-anal (as she cries with ecstasy when Zac slaps her butt, at which point, he switches his prick to her pussy, then back to her crack, making for a distinct movie — not just scene — highlight); and reverse-cowgirl-anal, where Wild lets loose up her asshole, filling that hole with hose-honey.

If you don’t have time for storylines, character development, and/or over-extended glamour sessions, then “Anal Casting 5” is your ticket to gonzo heaven, with each lady looking fab and fully displaying her whorish charms. The most memorable moments come from Summers (again, care of Nomar’s steady, professional slamming of this super submissive) and Lily (what a juicy body and killer ass on this similarly super sub). Oh, and the camerawork from Mason is terrific, too!