Pure Desire Vol. 9

James Avalon presents four tales about the eroticism that comes with intimate coupling.

Nala Brooks and Seth Gamble:

This scene has a pretty unique setup, as it’s a flashback disguised as a real-time moment. In fact, the way the story is told, it could actually be a series of flashbacks, which is very strong storytelling. Seth Gamble enters his bedroom, reminiscing on all the intimate sexual moments he’s shared with Nala Brooks over the course of their relationship. The goal of this scene is to embrace romance, and it succeeds on every level. With the soft music playing in the background, Brooks’ lacy black undergarments contrasting against her milky skin, and the slow way Gamble sheds his shirt to reveal his chiseled torso, it’s all straight out of a Harlequin novel. Brooks works Gamble over nice and slow, using her pussy and her tits — and the camera catches every glorious moment of it (holy smokes, the cowgirl)! Folks, this is a fantastic scene that feels like lovemaking rather than raunchy porn. Beautiful stuff.

Cecilia Lion and Quinton James:

A stern looking and vivaciously dressed Cecilia Lion is shown driving with a purpose. Arriving at an unsuspecting Quinton James’ lavish home, she knocks on the door and jumps his bones the moment he answers. We’re given no backstory or motivation for her sexual aggression, as whatever questions James might have had are instantly forgotten. Lion is in charge from the jump here, demanding and directing James’ every action with her body and breathy moans. Even when he’s humping her hungrily, there’s never a doubt who is in charge. When she finally lets him finish, he explodes all over her pussy while she watches with lust and satisfaction in her eyes.

Gizelle Blanco and Mike Mancini:

This scene plays on the power of visual storytelling. Gizelle Blanco teases the camera as so many performers do at the start of the scene, but the sultriness in her eyes and the tantalizing music makes for an erotic, romantic mood. Mike Mancini is content to let Blanco perform for him (which is, by proxy, the audience) as he sits back and refrains from touching her. It’s a striptease fantasy through and through, and the tone stokes the inner fantasy of the audience. When Mancini does finally get to touch Blanco, he unleashes his pent-up lust on her in pulse-pounding fashion. His thrusts are deep, fast and hard. It’s almost as if he’s punishing her for making him wait so long, and Blanco thrives in that punishment.

Maddy May and Tyler Nixon:

Similar to the previous scene, Maddy May starts out teasing the audience as she presents her voluptuous body for the cameras in all its glory. Tyler Nixon enters wordlessly and begins to caress her with the utmost care. The music fits the vibe between them as things get hungrier by the moment, but the sense of passion is never lost. Nixon is especially concerned with May’s pleasure, taking the time to taste and touch her all over before letting her return the favor. And when May makes clear to Nixon her desire to be ridden hard, he happily obliges her. A solid throat fuck, a vigorous standing fuck, and a rump-pounding doggie fuck are just a few of the ways Nixon brings May to submissive, quaking orgasms.

This movie does a great job of creating tone through visuals. Each scene is able to tell a story even though there’s very little dialogue across the entire film. The audience can feel the desire emanating from the performers, and that desire will permeate the libido of anyone watching. Brooks and May are absolute visions, and they were the perfect choices to bookend the movie.