Tiffany, Desires of Submission

Ricky Mancini is in the midst of a messy divorce, but his lawyer Tiffany Leiddi has his case well in hand. The more involved Leiddi gets in Mancini’s case, however, the more intrigued she becomes with the carnally adventurous lifestyle he and his estranged wife lead. Can Leiddi keep her curiosity at bay, or will she jeopardize her professional status to explore Mancini’s scandalous private world?

Veteran Dorcel director Herve Bodilis presents a feature all about succumbing to one’s hidden desires. Leiddi, in one of her biggest feature roles in recent memory, plays a divorce lawyer embroiled in a kinky case that catches her carnal attention. These types of stories are fairly commonplace in porn, but Bodilis does a masterful job building the suspense of Leiddi’s internal struggle, creating a powerful sense of anticipation within the audience to see her story’s climax. He doesn’t rush the narrative, instead allowing the story to burn slowly and naturally. Not a single sex scene feels shoehorned in (a common misstep in these types of stories), and the focus remains solely on Leiddi despite all the moving parts around her.

The film opens with Leiddi and Mancini finalizing their strategy for his divorce case before she heads into her boss Bella Tina’s office to bring her up to speed. Satisfied with the way she’s handling the case, Tina dismisses Leiddi because her boyfriend Axel Reed is on his way in for some kinky roleplaying fun. These two have a great time together, complete with character roleplay and handcuffs. Tina sucks Reed off slowly before letting him plow her on her desk. This woman has a great body and a pretty face, and she knows how to wrap herself in sex. This is a perfect opening to a great ride.

Later on, Leiddi visits Mancini’s apartment for dinner and finds a perfectly submissive Lola Bellucci (on loan for their pleasure by her husband) waiting to service her every desire. Mancini commands the obedient woman to kiss Leiddi, and she does so without hesitation. Before long, Bellucci is pleasuring Leiddi with her mouth, her fingers, and her toys while Mancini cheers them on silently. Once Leiddi has had her fill of the submissive slut Bellucci, she departs for the evening, leaving Bellucci in Mancini’s care.

Now fully intrigued by Mancini’s world, Leiddi openly wades into the deep end of his lewd pool, committing to a night of wantonness in the form of sex with a random stranger (Tony Carrera) in a nightclub bathroom at Mancini’s behest. This is a blowjob-only scene, but oh boy, does Leiddi put on a dicksucking clinic!

Mancini’s next initiation is to introduce Leiddi to the world of BDSM. Clad in a ribbon-style outfit complete with leather collar, Leiddi submits to an intense crop spanking from JPX before Mancini fingers her into oblivion. Meanwhile, in the next room, Anna Polina is introducing Ginebra Bellucci to a similarly vulnerable experience as she guides her through a sexy sodomizing from JPX while a crowd of strangers watches.

Leiddi’s induction into Mancini’s lifestyle culminates with her doing a mysterious blowbang while he sits back and strokes his throbbing cock. Eventually, all the cocks reveal themselves and ravage Leiddi. She keeps her mouth full and her hands busy as at least one stud fucks her pussy at all times, and the way her body coils around her three suppressors shows how she’s grown sexually. When she suggests they do anal, Mancini knows his quest to turn Leiddi into a slut is complete.

The film ends with Leiddi taking control of her new life and her place in the hierarchy in satisfying fashion. It’s a wonderful culmination to her sexual journey and a nice bonus blow job for the audience.

This is one of the best “Submission” movies I’ve seen in a long time. Good writing, a good cast and great sex make this one of Dorcel’s strongest features of 2021.