Ransom

In “Ransom” and “The Countdown,” we have two tales involving simulated and real captivity, respectively; both are disturbing stories about control, with Lily Glee putting in an exceptional performance as she’s ass-fucked and double penetrated, while Eliza Jane also does some fine acting as she’s forced to suck/fuck in a kind of “Saw”-like horror story.

In “Ransom,” Johnny Goodluck and Glee are a couple who plan a fake kidnap video to send to her rich father to collect a pile full of money and live a life of pleasure, with Goodluck, playing the kidnapper, warning Glee, the victim, that he might have to get rough with her in the movie — which he does, having her blow him. Glee looks delicious as she breathlessly sucks that dick balls-deep, with plenty of saliva amidst her crocodile tears. But we have a distinct feeling that this whole scheme might go terribly awry. After he makes her blow him, Goodluck doggie drills Glee upon a sofa (the ransom tape still rolling). And what a fine ass Glee has on her, although she doesn’t seem so gleeful — meaning she’s a good little actress since, again, the whole thing is faked. Once Glee’s father receives the filthy video, however, he refuses to pay. Goodluck then decides to “amp it up” with another rough-sex video, giving Glee a fake black eye and fucking her asshole this time; doggie style is a high point, as Goodluck makes her blow him in between hammerings and supposedly, cums in her ass during missionary. But the father still refuses to pay.

Goodluck’s final idea is to bring in a buddy, Brad Sterling, and roughly double penetrate Glee for the ransom camera. The lads take turns with her mouth, pussy and ass; Glee sucks one cock while the other prick is banging her backdoor, leading to a soaring reverse-cowgirl DP, followed by a searing doggie DP — both of which are hard and merciless. So, does the plan work? I don’t wanna ruin the creepy, somber ending for you.

In “The Countdown,” Eliza Jane and Ryan Driller wake up in a private prison cell together and are like rats being watched in a lab — except they’re viewed and manipulated by an unseen captor, the whole thing being filmed. The phantom puppet master gets them to progressively touch each other if they want food and water and ultimately makes them fuck if they wish to live, leading to some passionate sucking and fucking. I say “making them fuck” because Driller plays a happily married man who doesn’t want to cheat on his wife. But it’s either cheat or no eat, fuck or outta luck. Jane is a good blowjob babe, getting nasty under her captor’s duress, with doggie, cowgirl and (especially, with Jane’s sumptuous body and arousing eye contact) missionary being extremely horny viewing. Also, there’s a large digital timer outside of their prison cell, out of reach and indicating various countdowns pertaining to their sexual antics, which definitely creates cold, unsettling tension. So, do they escape from this clinical hellhole? It’s a pretty disturbing but nonetheless satisfying ending.

“Ransom” is an excellent movie for Halloween viewing — or non-Halloween viewing, for that matter — with plenty of chills as well as a brace of superb performances from Glee and Jane. But Glee is, to me, the highlight of the movie, with her pretty face, delectable body, and willingness to get exceptionally rough and filthy. Those Glee double penetrations are absolutely not to be missed!