Lesbian Revenge Vol. 3

“Lesbian Revenge 3” presents two tales of lust and indecency from the female perspective, as imagined from the sinful minds of writers Fistopher Nolan and Midnight, as well as director Whitney Wright. Returning to helm the third volume of Pure Taboo’s popular series, Wright demonstrates her a good eye for capturing visually evocative moments yet again, as she has shown herself to be quite adept at getting strong performances from her casts. This latest installment continues to be a class in what excellent female-produced porn can look like, while remaining firmly entrenched in the taboo nature of sexual coercion.

“Daughter on Display” (Reagan Foxx and Gina Valentina):

Reagan Foxx’s stepdaughter Harley (Valentina) is rebellious, combative and challenges Reagan’s authority at every turn. Harley feels like her new stepmother mooches off her father’s money and she has no respect for her. One night, when Reagan has a dinner party planned for some friends, Harley opts to openly defy her by dressing provocatively for the evening. At her wit’s end, Reagan decides to turn the tables on Harley and rips her shirt off, demanding she host the dinner party (clad in only her pink, lacy thong), under threat of Reagan lying to Harley’s father about her slutty and inappropriate behavior.

Left with no choice, Harley reluctantly agrees to Reagan’s demands to host the party, and predictably, Reagan’s friends (River, Keely and King) use the circumstances to feed their own lascivious kinks. River demands Harley feed her, Keely purposely spills water on herself and orders Harley help her “clean up” and King asks for a sexy show from Reagan and Harley to serve as a naughty nightcap.

While this story plays on the fauxcest trope that permeates so much porn right now, it does so on the back of a compelling story that brings an element of intrigue to the scenario beyond the formulaic step-parent fucking (a welcome respite for me) and I applaud writer Fistopher Nolan for approaching the trope in such an expanded fashion.

Gina’s soft moans as Reagan went down on her were really hot, and the way Reagan dictated her sexual activity while her friends watched was very kinky. I was especially impressed with the moment where Gina was face-down, ass-up as Reagan licked her pussy and asshole. You could almost feel Gina trying to suppress the pleasure she was feeling but failing to hold it back. I also particularly liked Harley’s vulnerability as she was forced to let Reagan rub her clit to orgasm while King, Keely and River leered at her from mere feet away.

“Strings Attached” (Angela White, Scarlett Sage and Serena Blair):

Angela White plays Dr. Levy, a therapist who specializes in counseling women who are trying to recover from relationship trauma. She is particularly smitten with her patient Emily (Sage) who has made magnificent progress and has reached the end of her therapy. Dr. Levy wants desperately to have a personal rendezvous with Emily outside the confines of their professional relationship, but Emily refuses, citing the dangerous possibilities surrounding such an unorthodox relationship.

Infuriated by Emily’s resistance, Dr. Levy convinces Sue (played quite well by Blair), one of her more vulnerable patients, to seduce Emily for her. This is a very lurid tale that pits the malicious nature of Dr. Levy and the Stockholm Syndrome-afflicted Sue Lowman against Emily’s vulnerable victimhood. Angela once again shows her impressive ability to portray unhinged characters. Take a moment to revel in her seething fury as she stalks to her desk, fresh off Emily’s rebuff. That is some quality acting. The sex is also of very high quality. My goodness I could have watched Blair rim Sage hungrily for the entire scene and been satisfied. What a great capture!

Dr. Levy’s introduction to the tryst is super well done; it harkens back to horror films from the late 70s and early 80s as the camera switches to her POV and “walks” up to the door. I got very strong Michael Myers vibes from that shot. There’s also a very cool stylistic shot of Angela leaning against the wall watching Sage and Blair that is visually stunning. The scene takes on a much more sinister tone when Angela appears, as she feels very much like a predator celebrating a victorious hunt rather than someone who is enjoying a passionate sexual experience with a partner (which is exactly the way the scene felt when it was just Blair and Sage). I think this tonal shift is pretty hard to pull off, and credit should be given to Whitney Wright for coaxing such an emotional swerve out of the scene. Also, holy cow watching Serena rub her own pussy while Scarlett pseudo-sits on her face, allowing Angela to lick her asshole is a sight that should absolutely not be missed! There’s actually a good amount of face-sitting in this scene which is always welcome.

This is another very good entry into this series and with each offering, Whitney Wright seems to get more comfortable with directing. There are more inventive angles in this volume than previous entries, and I felt the story pacing was a bit better than the already well done first and second volumes. I like Fistopher Nolan’s writing style and I thought Midnight also crafted a nice story with a unique twist. Gina Valentina and Reagan Foxx created a dynamic that was totally believable and uncomfortable (crucial to making that story work), while Angela White shines once again in a role where she’s allowed to let her sinister side show. The sex in the second scene was scalding and fans of the genre should definitely check this one out; it is the series highlight.