Young & Beautiful 7

Already in its seventh iteration, Greg Lansky’s “Young & Beautiful 7” features four scenes that are notably different from much of Vixen’s past fare. The film features four standalone mostly all-sex scenes with an emphasis on production values. All of the stars fit into the teens category, hence the title, and the movie delivers plenty of hot boy-girl sex climaxing with facials and one creampie.

What’s different about “Young & Beautiful 7” is that famed director Greg Lansky takes a more backseat role. Lately, he’s been collaborating with the likes of Kayden Kross and Laurent Sky to film content for the growing Vixen/Tushy empire. This film features two of Sky’s shorts. Both professionally edited, but offering something fresh for long time GregHeads.

Scene 1:

Nineteen-year-old buxom babe Mia Melano pushes infidelity to near creeper levels when she sneaks into Mick Blue’s home while his wife is away. Tired of fucking in hotels and in her apartment, she wants to see and experience his life firsthand.

She stealths into the house wearing a brilliant red dress that is reminiscent of that outfit Sinderella wore in her performance from “Young & Beautiful 6.” She makes herself at home and treats the camera to a strip tease as she bathes and teases with the phallic imagery of an oozing champagne bottle.

Still new to the industry with only seven scenes to her credit at the time of this writing, Melano already excels as an extraordinary performer. She delivers her lines with emphasis and diction that hint at possible past acting experience — a rarity for porn newcomers. She’s also strikingly beautiful, with bright greenish-blue eyes, a perfect smile and flawless skin. And if you’re looking to perv-out, then she’s got you covered with delightful double Ds, luscious pussy lips and a thick bum — a porno triple threat.

The scene takes place in Mick Blue’s huge urban penthouse overlooking a lovely cityscape. Unlike past scenes, the lighting strikes the perfect balance by contrasting our heroes’ vibrant skin tones against a rigid cityscape.

Sex direction follows Vixen’s formulaic approach of heavy petting to oral followed by vanilla sex acts, but the performers make it feel spontaneous and passionate with plenty of blowies in the switchups. Most of the oral sex takes the shape of Melano’s empassioned blowjob including the big cumshot at the end.

While I loved watching Melano go down on Mick — the way she plays with her hair and makes eye contact is astounding — it would have been nice to see more cunnilingus for a greater sense of balance and mutual pleasure.

As a critic, I can’t help but nitpick. There are times when Melano can be seen looking toward the film crew as they direct her. Appearing to ignore a whole crew of people who are gesturing and speaking to you is extraordinarily hard and considering Mia’s newness, it doesn’t affect my opinion on this impressive scene.

I’m also impressed by director Laurent Sky’s treatment of the money shot. Rather than cutting away, the camera lingers on young Melano’s smiling face as she eagerly laps up Blue’s juice

All in all, it’s an impressive performance artfully captured by Laurent Sky. If you’re new to Mia Melano’s pornography, this will serve as an excellent introduction a rising star who is full of potential. I cannot wait to see what her porn looks like in two to three years time.

Scene 2:

Greg Lansky directs a story about the cutthroat world of show business. Moka Mora cameos as a personal assistant to film producer Jean Val Jean, but Harley Dean wants to gain favor. She hatches a plan to make a move on Jean by tricking him into thinking Mora needs time off. Once alone, she’s got a little surprise for Jean.

The story makes a good basis for the sexual happenings, but the split from poolside lounging to all-out-fucking is abrupt. Think about it, Jean happens across his employee by the pool and before you realize what’s happening, Dean is choking on his dick hard. There may be a backstory between the assistants, but that isn’t evident in the scene.

A Lansky film, it takes place in familiar settings to longtime fans of the artist’s work. You’ll see that squarish building used in so many of Lansky’s outside shots and the actual sex takes place in one of those bright white-on-white sets. He really amps up the contrast with natural background light from an open window though, and it makes Harley’s tan skin pop!

Jean Val Jean and Harley Dean fuck with real intensity, switching positions frequently. Lansky highlights the prone-bone, a trademark of many Vixen scenes, and we get a delightful look at Jean’s deep passionate pussy-licking.

As loving as his cunnilingus is, Harley is totally hardcore with her oral. She’s sloppy, deep and makes all sorts of excited choking and slobbering sounds as she downs his magic johnson. It’s very much in the style of Asian blowjob sensation Kalina Ryu. Very impressive.

Harley Dean is one fit lady, and Lansky has her put all that cardio and conditioning to work by playing the domme. Jean Val Jean is along for the ride and it’s a lot of fun to see this woman fully in charge of her own pleasure. But Val Jean is no slouch, he really gives it to her with a rapid-fire cowgirl bang at the end.

Dean fashionably sports two rose-colored piercings along her clitoral hood. They’re very subtle and you don’t notice it until they catch the light in a few mid-coital closeups. It’s very pretty and it compliments her earrings well.

If you have a pussy fetish, you’re going to love the final fuck! Lansky really focuses on closeups as Jean takes Harley to orgasm. Her body tightens and goes into that wonderful orgasmic glow. Val Jean pulls out, treating Harley to a facial finish while still in the afterglow.

Scene 3:

Haley Reed plays a fashion model recently approached by big-time editor Markus Dupree in Laurent Sky’s tale of familiar fashion industry sexual payola. The story is delivered in a quick voiceover and visuals of the glitz and glamor of a big modeling shoot, and as an added bonus, Elena Koshka cameos as one of Dupree’s photographers.

Keeping with the fashionista concept, Reed sports big hoop earrings and a big necklace which she eventually sheds. Her hair is neatly styled and she wears conservative and natural makeup.

There’s something unusual with respect to lighting and color. The scene is both vibrant and slightly washed-out, but not in a bad way. It’s definitely a stylistic choice and I like how Blake’s naked skin pops against the pastels in the background.

This is a very wet scene. It features sloppy and salival blowjobs and plenty of squirting. Reed’s squirting is pretty cool. It’s always motivated by deep G-spot stimulation but she isn’t dependent on that come-hither fingering motion. Instead, she actually experiences some juicy orgasms from Dupree’s deep-fucking. For extra kink, you’ve got a sweet creampie followed by even more squirting as the scene draws to a close.

Scene 4:

Sadie Blake makes her Vixen debut in a tale of adultery alongside the hunky Manuel Ferrara.

Blake has had too much wine after a night with the Ferraras. As she fumbles over her shoes, Manuel’s wife suggests that she stay in the guest room and sober up. When she awakes, she finds herself alone with an all too forward Manuel.

He’s downright creepy. Imagine walking into the living room after a party to find your friend’s husband barely wearing a robe and showing off all those dangly bits. And then he comes on with a rather forceful vibe. It’s a little predatory and Sadie reacts with surprise and skepticism at first, but quickly changes her mind when he swoops in for a kiss.

It’s a challenging exposition to watch for two reasons. On the one hand, it just doesn’t uphold that suspension of belief. I don’t buy them having sex after such an awful approach. And two, Ferrara’s aggressive take is a little disturbing, but that’s just me.

And maybe that’s the sort of relationship and friendships that the “Ferraras” have. After all, the late night wine party scene does have an easter egg. A TV can be seen reflecting off the window while the trio down many bottles of wine. You can’t quite make out what they’re watching, so you might assume it’s a late movie night. But if you pay close attention, it looks more like a Lansky porno.

The sex is solid and places special emphasis on Sadie’s cock-sucking skills. Lansky’s lens shares his fascination with how the lithe brunette fits Manuel’s massive shaft down her throat with ease. She makes great eye contact and oozes this Aubrey Plaza deadpan vibe that I find sexy.

Like Melano’s scene, the oral is unbalanced. It’s all about the cock. She only gets her pussy eaten for a little while, and that’s after roughly ten minutes of dick sucking. But it is worth the wait. While short lived, Manuel gives her one hell of an experience and Sadie really sells it arching her back and rolling her eyes just like Kenna James.

The set and lighting are bright and vibrant — typical of Lansky’s productions. Set in a dining room, it does give you something more to look at than that monocolor white backdrop that is so common in Greg’s films. You’ll see some tabletop fucking before the stars transition to a conveniently placed matress because, you know, it’s totally normal to keep spare matresses in the kitchen.

By far the best part of this one is towards the end when Sadie is spooning with Manuel. The camera is positioned high above with Sadie flat on her back. Lansky gives us a full two-shot and occasionally sneaks in a closeup of Manuel’s thickened shaft as it dives into Blake’s fully aroused body. It looks like there could be no way for Ferrara to fit into such a slender woman, but she takes every inch like a magician.